There’s often an undercurrent of existential fatigue in games that look back at their legacy. Dark Souls III’s dying kingdom, Metal Gear Solid 4’s decrepit Snake. So when Capcom showed us an ageing Leon Kennedy entering the ruins of the police station that marked the start of his journey from rookie cop to hardened veteran, it felt tinged with ennui as much as nostalgia. That self-reflective swansong for this 30-year series may still happen one day, but Requiem isn’t it. Even at its dourest and most pensive, this is less a song for the dead, more a knees-up in honour of the rocket launchers and typewriters that came before. Leon may be getting on a bit, but this is Capcom as energised, devious and goofy as ever.
2024年12月23日 星期一 新京报
，详情可参考heLLoword翻译官方下载
还有这种一次性就能给我们把海报翻译成不同语言的用法，直接就生成多个地区的广告图片。
Samsung first look: Go up close with Galaxy Z TriFold, the futuristic foldable only available in Korea
“中国一強”「レアアース」 日本の戦略に密着取材